PORTRAYAL OF PAKISTAN IN BOLLYWOOD A CONTENT ANALYSIS OF MOVIES

http://dx.doi.org/10.31703/gmmr.2022(V-I).01      10.31703/gmmr.2022(V-I).01      Published : Dec 1
Authored by : MUHAMMAD Naseem Anwar , Lareb Kanwal , Tahira Nasir

01 Pages : 1-13

References

  • Ali, S., Chaudhry, S., & Faridi, A. B. (2012). Portrayal of Muslims Characters in the Indian Movies. Pakistan Journal of History and Culture, 33(1), 137-159. https://doi.org/10.22059/wsps.2021.314905.1185
  • Athique, A. M. (2008). A Line in the Sand: The India–Pakistan Border in the Films of JP Dutta. South Asia: Journal of South Asian Studies, 31(3), 472-499. https://doi.org/10.1080/00856400802441920
  • Becker, C. (1921). Lord Bryce on modern democracies. Political Science Quarterly, 36(4), 663-675. : https://www.jstor.org/stable/2142389
  • Borde, R., & Chaumeton, E. (1996). Towards a Definition of Film Noir. Film Noir Reader, 1, 17-25.
  • Christos, L. A. (2014). Film Clusters: The Case Study of Bollywood and its Contribution in Indian Economy. The Journal of Department of Economics University Thessaly .
  • Christoforou, C., Papadopoulos, T. C., Constantinidou, F., & Theodorou, M. (2017). Your brain on the movies: a computational approach for predicting box-office performance from viewer’s brain responses to movie trailers. Frontiers in neuroinformatics, 11, 72. https://doi.org/10.3389/fninf.2017.00072
  • Coleman, C. L. (2005). Framing cinematic Indians within the social construction of place. American studies, 46(3/4), 275-293. https://www.jstor.org/stable/40643900
  • Deetz, S. A., Tracy, S. J., & Simpson, J. L. (1999). Leading organizations through transition: Communication and cultural change. Sage Publications.
  • Deshpande, A. (2007). Indian cinema and the bourgeois nation state. Economic and political weekly, 95-103. https://www.jstor.org/stable/40277057
  • Fairhurst, G., & Sarr, R. (1996). The art of framing. San Francisco: Jossey-Bass.
  • Fearing, F. (1947). Influence of the Movies on Attitudes and Behavior. The ANNALS of the American Academy of Political and Social Science, 254(1), 70-79. https://www.jstor.org/stable/1026142
  • Happer, C., & Philo, G. (2013). The role of the media in the construction of public belief and social change. Journal of social and political psychology, 1(1), 321-336. https://doi.org/10.5964/jspp.v1i1.96
  • Hafeez, E., & Ara, A. (2016). History and Evolution of Indian Film Industry. The Journal of History and Social Sciences, 7(2). https://doi.org/10.46422/jhss.v7i2.63
  • Hastie, R., & Park, B. (1986). The relationship between memory and judgment depends on whether the judgment task is memory-based or on-line. Psychological review, 93(3), 258. https://doi.org/10.1037/0033-295X.93.3.258
  • Jaffe, E. (2007). Reel to Real: Psychology goes to the movies. APS Observer, 20(3). https://doi.org/10.4102/hts.v71i3.2878
  • Khan, M. A., & Bokhari, S. Z. (2011). Portrayal of Muslims in Indian Cinema: A Content Analysis of Movies during (2002-8). Pakistan Journal of Islamic Research, 8, 1-15.
  • Khan, M. K., Azeez, F., Sadiq, F., Juni, M. S., Ashraf, C. A., & Karim, J. (2014). Impact of bollywood movies on cultural transformation in Pakistan; exploring the influence of Indian culture on Pakistani youth a case of Sargodha Pakistan. International Journal of Research, 1(11). https://journals.pen2print.org/index.php/ijr/
  • Lazarus, R. S. (1991). Emotion and Adaption. New York: Oxford University Press.
  • Macnamara, J. R. (2005). Media content analysis: Its uses, benefits and best practice methodology. Asia Pacific Public Relations Journal, 6(1),
  • Mushtaq, S., Baig, F., & Iftikhar, G. (2016). Exploring Transition in Indian Perspective about Kashmir Issue through its Mainstream Cinema, 1992-2015. Pakistan Vision, 17(1), 172.
  • Patel, D. R. (2018). Understanding Bharat - Pakistan Bilateral relation throgh cinema. South Asian Studies Journal .
  • Pompella, A., Visvikis, A., Paolicchi, A., De Tata, V., & Casini, A. F. (2003). The changing faces of glutathione, a cellular protagonist. Biochemical pharmacology, 66(8), 1499-1503. https://doi.org/10.1016/s0006-2952(03)00504-5
  • Rajadhyaksha, A. (2003). The'Bollywoodization'of the Indian cinema: cultural nationalism in a global arena. Inter-Asia cultural studies, 4(1), 25-39. https://doi.org/10.1080/1464937032000060195
  • Ravi, B. K. (2014). Metamorphosis of Content in Indian Cinema: A Critical Analysis. Educational Research International, 3(3), 65-79
  • Sheikh, S. (2013, October). Green on Silver: Manufacturing Muslim Image through Bollywood Cinema. In Muslim South Asia Conference.28
  • Shain, R. E. (1974). Hollywood’s cold war. Journal of Popular Film, 3(4), 334-350. https://www.jstor.org/stable/10.3366/j.ctt1r26fd
  • Saran, R. (2014). History of Indian cinema. Diamond Pocket Books Pvt Ltd.
  • Silver, J. D. (2007). Hollywood's dominance of the movie industry: how did it arise and how has it been maintained? (Doctoral dissertation, Queensland University of Technology)
  • Stafford, A. (2013). The Role of Media During the Cold War. E-International Relations, 1-4
  • Viswanath, G., & Malik, S. (2009). Revisiting 1947 through popular cinema: a comparative study of india and pakistan. Economic and Political Weekly, 61-69. https://doi.org/10.2307/25663519
  • White, M. D., & Marsh, E. E. (2006). Content analysis: A flexible methodology. Library trends, 55(1), 22-45. https://doi.org/10.1353/lib.2006.0053
  • Zaidi, S. A. (2009). A conspicuous absence: Teaching and research on India in Pakistan. Economic and Political Weekly, 57- 68. https://www.jstor.org/stable/25663571
  • Ali, S., Chaudhry, S., & Faridi, A. B. (2012). Portrayal of Muslims Characters in the Indian Movies. Pakistan Journal of History and Culture, 33(1), 137-159. https://doi.org/10.22059/wsps.2021.314905.1185
  • Athique, A. M. (2008). A Line in the Sand: The India–Pakistan Border in the Films of JP Dutta. South Asia: Journal of South Asian Studies, 31(3), 472-499. https://doi.org/10.1080/00856400802441920
  • Becker, C. (1921). Lord Bryce on modern democracies. Political Science Quarterly, 36(4), 663-675. : https://www.jstor.org/stable/2142389
  • Borde, R., & Chaumeton, E. (1996). Towards a Definition of Film Noir. Film Noir Reader, 1, 17-25.
  • Christos, L. A. (2014). Film Clusters: The Case Study of Bollywood and its Contribution in Indian Economy. The Journal of Department of Economics University Thessaly .
  • Christoforou, C., Papadopoulos, T. C., Constantinidou, F., & Theodorou, M. (2017). Your brain on the movies: a computational approach for predicting box-office performance from viewer’s brain responses to movie trailers. Frontiers in neuroinformatics, 11, 72. https://doi.org/10.3389/fninf.2017.00072
  • Coleman, C. L. (2005). Framing cinematic Indians within the social construction of place. American studies, 46(3/4), 275-293. https://www.jstor.org/stable/40643900
  • Deetz, S. A., Tracy, S. J., & Simpson, J. L. (1999). Leading organizations through transition: Communication and cultural change. Sage Publications.
  • Deshpande, A. (2007). Indian cinema and the bourgeois nation state. Economic and political weekly, 95-103. https://www.jstor.org/stable/40277057
  • Fairhurst, G., & Sarr, R. (1996). The art of framing. San Francisco: Jossey-Bass.
  • Fearing, F. (1947). Influence of the Movies on Attitudes and Behavior. The ANNALS of the American Academy of Political and Social Science, 254(1), 70-79. https://www.jstor.org/stable/1026142
  • Happer, C., & Philo, G. (2013). The role of the media in the construction of public belief and social change. Journal of social and political psychology, 1(1), 321-336. https://doi.org/10.5964/jspp.v1i1.96
  • Hafeez, E., & Ara, A. (2016). History and Evolution of Indian Film Industry. The Journal of History and Social Sciences, 7(2). https://doi.org/10.46422/jhss.v7i2.63
  • Hastie, R., & Park, B. (1986). The relationship between memory and judgment depends on whether the judgment task is memory-based or on-line. Psychological review, 93(3), 258. https://doi.org/10.1037/0033-295X.93.3.258
  • Jaffe, E. (2007). Reel to Real: Psychology goes to the movies. APS Observer, 20(3). https://doi.org/10.4102/hts.v71i3.2878
  • Khan, M. A., & Bokhari, S. Z. (2011). Portrayal of Muslims in Indian Cinema: A Content Analysis of Movies during (2002-8). Pakistan Journal of Islamic Research, 8, 1-15.
  • Khan, M. K., Azeez, F., Sadiq, F., Juni, M. S., Ashraf, C. A., & Karim, J. (2014). Impact of bollywood movies on cultural transformation in Pakistan; exploring the influence of Indian culture on Pakistani youth a case of Sargodha Pakistan. International Journal of Research, 1(11). https://journals.pen2print.org/index.php/ijr/
  • Lazarus, R. S. (1991). Emotion and Adaption. New York: Oxford University Press.
  • Macnamara, J. R. (2005). Media content analysis: Its uses, benefits and best practice methodology. Asia Pacific Public Relations Journal, 6(1),
  • Mushtaq, S., Baig, F., & Iftikhar, G. (2016). Exploring Transition in Indian Perspective about Kashmir Issue through its Mainstream Cinema, 1992-2015. Pakistan Vision, 17(1), 172.
  • Patel, D. R. (2018). Understanding Bharat - Pakistan Bilateral relation throgh cinema. South Asian Studies Journal .
  • Pompella, A., Visvikis, A., Paolicchi, A., De Tata, V., & Casini, A. F. (2003). The changing faces of glutathione, a cellular protagonist. Biochemical pharmacology, 66(8), 1499-1503. https://doi.org/10.1016/s0006-2952(03)00504-5
  • Rajadhyaksha, A. (2003). The'Bollywoodization'of the Indian cinema: cultural nationalism in a global arena. Inter-Asia cultural studies, 4(1), 25-39. https://doi.org/10.1080/1464937032000060195
  • Ravi, B. K. (2014). Metamorphosis of Content in Indian Cinema: A Critical Analysis. Educational Research International, 3(3), 65-79
  • Sheikh, S. (2013, October). Green on Silver: Manufacturing Muslim Image through Bollywood Cinema. In Muslim South Asia Conference.28
  • Shain, R. E. (1974). Hollywood’s cold war. Journal of Popular Film, 3(4), 334-350. https://www.jstor.org/stable/10.3366/j.ctt1r26fd
  • Saran, R. (2014). History of Indian cinema. Diamond Pocket Books Pvt Ltd.
  • Silver, J. D. (2007). Hollywood's dominance of the movie industry: how did it arise and how has it been maintained? (Doctoral dissertation, Queensland University of Technology)
  • Stafford, A. (2013). The Role of Media During the Cold War. E-International Relations, 1-4
  • Viswanath, G., & Malik, S. (2009). Revisiting 1947 through popular cinema: a comparative study of india and pakistan. Economic and Political Weekly, 61-69. https://doi.org/10.2307/25663519
  • White, M. D., & Marsh, E. E. (2006). Content analysis: A flexible methodology. Library trends, 55(1), 22-45. https://doi.org/10.1353/lib.2006.0053
  • Zaidi, S. A. (2009). A conspicuous absence: Teaching and research on India in Pakistan. Economic and Political Weekly, 57- 68. https://www.jstor.org/stable/25663571

Cite this article

    CHICAGO : Anwar, MUHAMMAD Naseem, Lareb Kanwal, and Tahira Nasir. 2022. "Portrayal of Pakistan in Bollywood: A Content Analysis of Movies." Global Multimedia Review, V (I): 1-13 doi: 10.31703/gmmr.2022(V-I).01
    HARVARD : ANWAR, M. N., KANWAL, L. & NASIR, T. 2022. Portrayal of Pakistan in Bollywood: A Content Analysis of Movies. Global Multimedia Review, V, 1-13.
    MHRA : Anwar, MUHAMMAD Naseem, Lareb Kanwal, and Tahira Nasir. 2022. "Portrayal of Pakistan in Bollywood: A Content Analysis of Movies." Global Multimedia Review, V: 1-13
    MLA : Anwar, MUHAMMAD Naseem, Lareb Kanwal, and Tahira Nasir. "Portrayal of Pakistan in Bollywood: A Content Analysis of Movies." Global Multimedia Review, V.I (2022): 1-13 Print.
    OXFORD : Anwar, MUHAMMAD Naseem, Kanwal, Lareb, and Nasir, Tahira (2022), "Portrayal of Pakistan in Bollywood: A Content Analysis of Movies", Global Multimedia Review, V (I), 1-13
    TURABIAN : Anwar, MUHAMMAD Naseem, Lareb Kanwal, and Tahira Nasir. "Portrayal of Pakistan in Bollywood: A Content Analysis of Movies." Global Multimedia Review V, no. I (2022): 1-13. https://doi.org/10.31703/gmmr.2022(V-I).01